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News

2009 is the Year for Dracula: The Un-Dead
Source:AEI
October 3, 2008


LONDON, 1912: Someone is stalking the brave band of heroes who had defeated the vampire Dracula a quarter-century ago.

Bram Stoker's great-grandnephew and blood descendant, Dacre Stoker, and award-winning Dracula documentarian and historian Ian Holt have sold North American-English publishing rights of the Stoker-family-authorized sequel to Bram's classic novel "Dracula" to an alliance of Dutton U.S. (Brian Tart), Harper U.K. (Jane Johnson) and Penguin-Canada (Laura Shin).

The novel will appear in October 2009.

Laura Shin, senior editor of Penguin-Canada, who signed up for two additional sequels, said, "I was thrilled by this page-turning story and loved spending time with those great characters-Stoker and Holt did a fantastic job melding the old with the new, and I found the work to be a virtually seamless continuation of the original. The story has all the hallmarks of a historical novel, but with a modern sensibility that gives it wide-spread appeal."

Dutton and Harper signed a single novel deal. Although other precedent-setting foreign deals are already closed from preempts, Baror is planning to sign the bulk of world territories at the upcoming Frankfurt Book Fair.

Using Stoker family connections, the writers were able to access Bram Stoker's hand-written notes for his novel - which, before an editor changed the title, was to have been called "The Un-Dead."

"Our story," Stoker said, "includes characters and plot threads that had been excised by the publisher from the original printing over a century ago."

"The Un-Dead" is the first Dracula story to enjoy the full support of the Stoker clan since the original 1931 movie starring Bela Lugosi. Lugosi's appearance in Hamilton Deane's and John Balderston's stage production of the story on Broadway in New York, fifteen years after Bram Stoker's death in 1927, sparked the original novel's bestselling popularity. It has never been out of print since.

AEI's Ken Atchity, Chi-Li Wong, and Michael T. Kuciak (Life or Something Like It, Joe Somebody) will produce the film adaptation with Blue Tulip's Jan de Bont (Speed), and are expecting to see it go before the cameras in June '09.

The script has been completed by Ian Holt with the story co-written by Alexander Galant, who are both managed by AEI and agented by Ron Gwiazda and Amy Wagner at Abrams Artists.

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Comments

Posted by: John on October 3, 2008 at 15:40:30

Official Stoker family blessing or not, I think of The Historian (for which I think a film adaptation is in development) as a fairly definitive (and certainly more resonant today) follow-up to the original Dracula -- even if is essentially a deconstruction of Stoker's work with some fiction layered in. There's not much in this release that entices me to reconsider that stance...


Posted by: Madness Of Mando on October 3, 2008 at 17:43:14

Sold


Posted by: Proteus on October 3, 2008 at 19:41:36

They did it for the film rights.

Oops! Someone with some past connections ran out of money!


Posted by: M1ke on October 3, 2008 at 20:46:53

I think the best Dracula is the film of Francis Ford Copola


Posted by: ZOMBIE4PETA on October 5, 2008 at 03:15:49

with some fiction layered in????

what the hell???


Posted by: Brandon on October 6, 2008 at 17:51:51

I think that, barring a few technical problems and Keanu's horrid performance, the Coppola "Dracula" was absolutely fantastic.


Posted by: Dr. Doc on October 6, 2008 at 21:48:51

yeah, Keanu was terribly miscast. he seems so out of place the entire time. other than that the Coppola version is a very good film. that part when Keanu looks out the window and Oldman is climbing on the wall ! i first saw that when i was like, 7 and that was ****in creepy !


Posted by: Kiaya on October 7, 2008 at 17:13:45

I don't care much for Keanu, but I hope to god Gary is in this!!! That would be AWSOME


Posted by: gareth on March 26, 2009 at 09:38:05

the original was very well made ... effects in particular were used well...and in an effetive way to promote the understanding of the feature...clever use of character from mina to elizabetha (is she the main character ?)
i liked the way coppoloa lit the film very authentic the editing had a theatrial edage and quality, winona ryder has a lumanesent quality to her in every scene.. sadie frost as lucy was well scripted...

furthermore the depth that franci went on in terms of the development of the movie gives it more rewatchable value... certain aspects of the film imply supernatural credibility..
whilst oldman doest'nt overplay his hand as the count...also in most scenes charcters seem to know where they have to be...
final scenes in the movie and the errie ending soundstrack from lennox give it more of a spiritual dimension.. which fright night 1985 was not able to acheive...
the panning of the camera upto the ceiling gives the movie a very complete finish and we realise why other directors have struggled in executing similarly difficult material well...
indeed the freedom of direction and tight technical direction makes us wonder how that material can actually be improved upon for a sequal?
i could suggest that certain scenes could show more deliberate action improvement such as a cemetary scene involving more camera continuity within an environment rather than a pan approach...
should special effects be used to add special effects to garments so one comes off when it is in contact with a particular environment or when a character enters against a foe... this could an afterlife quality to the presentational side of the sequal...use of special foods... a nightly grave dig that goes wrong and opens up a secret tomb? use of lighting to promote character viewpoint / use of elements to add extra layer of lighting within draculas lair?


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